The following selected SCULPTURES are presented thematically rather than chronologically.Pushing materials beyond their expected limits, these works reveal that what appears obvious is often not. Glass supports heavy steel and massive stones weighing over 100 kilograms. Threads are pushed to their point of disappearance, frayed filament by filament until the moment of rupture. Through balance, tension, and precision, matter seems to escape its own weight, creating the illusion of suspension and levitation. The balance is absolute: no welding, no glue, no tricks.
NOZITAGNE LEMSEBAL F 580,368. L'éléphant. 1991. Glass, clay, wood. 80 x 200 x 34 cm (31 1/2 × 78 3/4 × 13 1/2 in.)
. Fmac, Fonds municipal de la ville de Paris. Indoor sculpture at The Crédit Municipal de la Ville de Paris 
Retrospective. ZAIRELAC TIPOCLE G. Glass, steel. Abbaye Saint-André de Meymac, Centre d’Art Contemporain. 1991. Glass, steel NOZITAGNE LEMSEBAL F 15, 18. LE PIANO. 1991. Glass, steel. 80 × 200 × 34 cm (31 1/2 × 78 3/4 × 13 1/2 in.). Fonds National d'Art Contemporain, Paris
ORLAM VITSOD H 13, 18 b. 1992. Glass laboratory pipettes, steel. 14 × 200 × 128 cm (5 1/2 × 78 3/4 × 50 1/2 in.)Retrospective. ZAIRELAC TIPOCLE G. Glass, steel. Abbaye Saint-André de Meymac, Centre d’Art Contemporain. 1991. Glass, steelICHOLI HAUPERYRE L 58, 2(13) c. 1997. Water, glass, concrete blocks. 75 x 210 x 450 cm (29 1/2 × 82 3/4 × 177 1/4 in.)
ZAIRELIAC TIPOCLE G 180, 1(12) d. 1992. 1 raw egg, carbon steel. 100 x 10 x 10 cm (39 1/4 × 4 × 4 in.)
REVEAL 4. 2006. Clay, granite. 53 x 39 x 33 cm (20 3/4 × 15 1/4 × 13 in.)
ZAIRELIAC TIPOCLE G 23, 18 a. 1992. Glass laboratory pipettes, steel. 75 x 386 x 92 cm (29 1/2 × 152 × 36 1/4 in.) 
ZAIRELIAC TIPOCLE G180, 1(12)b. 1992. 10 raw eggs, carbon steel, galvanized steel. 42 x 305 x 6 cm (16 1/2 × 120 × 2 1/4 in.)
ZAIRELIAC TIPOCLE G 180, 1(12) c. 1992. 4 raw eggs, galvanized steel. 110 x 30 x 25 cm (43 × 11 3/4 × 9 3/4 in.). Gérard Mavalais et François Michel Collection, Paris
DEVOTED BEING. 2006. Glass, granite. 66 x 42 x 41 cm (26 × 16 1/2 × 16 1/4 in.)OFFERING. 2006. Glass, water, granite. 61 × 70 × 40 cm (24 × 27 1/2 × 15 3/4 in.)
BALANCE ON BOARD 2. 2014. Thread, clear acetate, wood aspect plastic adhesive. 101 x 70.2 cm (39 3/4 x 27 3/4 in.)
AINVNZI RRIGAZZEI M4, 1(21). 1998. Thread, tulle veil, white painted steel. 244 x 170 x 122 cm (96 x 67 x 48 in). Joel and Sherry Mallin Collection, Buckhorn, NY
NSGLAN LIBERDAI L 1 (10) 0, 7 P. 1997.Thread, polycarbonate, plastic. 2.50 × 2.40 × 3.25 m (98 1/2 × 94 1/2 × 128 in.). Elena Geuna, London
AINVINZI RRIGAZZEI M 490, 7 (21) NYC. 1998. Thread, clear polycarbonate, plexiglass mirror. 46 x 46 x 46 cm (18 x 18 x 18 in.). Viviane Bregman Collection, New York City 
AINVNZI RRIGAZZEI M490,7(21) CR4. 1998. Thread, polycarbonate, plexiglass. Rona Citrin Collection, New York City
ICHOLI HAUPERYRE J (10), (21). 1996 - 1997. Thread. 410 x 200 x 70 cm (161 1/2 × 78 3/4 × 27 1/2 in.)
REVENNIIR ZAIGAIZZ N 159, 1(21) E. 1999. Thread, polished stainless steel. 122 x 170 x 122 cm (48 x 68 x 48 in.). L.A.C. Lieu d’Art Contemporain, Sigean
REVINNIIR ZAGAIZZ N 159, 1(21) H. 1999. Thread, polished stainless steel. 76 x 122 x 76 cm (30 x 48 x 30 in.)
REVENNIIR ZAIGAIZZ N 159, 1(21) J. 1999. Thread, polished stainless steel. 122 x 170 x 122 cm (48 x 68 x 48 in.)
REVINNIIR ZAGAIZZ N 69, 1(21) I. 1999. Thread, Polished stainless steel. 122 x 183 x 61 cm (48 x 72 x 24 in.). Donation by Viviane Bregman, New York City to Hudson Valley MOCA, Peekskill, NY. MOCA Hudson Valley Art Center Peekskill, NY
REVINNIIR ZAGAIZZ N 159, 1(21) K. 1999. Thread, polished stainless steel. 122 x 315 x 24.5cm (48 x 315 x 25 in.)